Ten Jinn Pennsylvania
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supported by 10 fans who also own “Sisyphus [Instrumental]”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range.
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supported by 10 fans who also own “Sisyphus [Instrumental]”
Thanks to the nice-endof-year-offer I came to fill this gap in my private worm collection (a, pardon me, worm hole, so to speak :-)) Wonderful reminiscence to many good things past (Canterbury, 70s prog, folk rock) with a good sense of humour and great ideas (both in the songwriting & in the arrangements) .
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supported by 10 fans who also own “Sisyphus [Instrumental]”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis.
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Electric Intervals
by Martyn Heyne
A work of beautiful, pointillist guitar from Martyn Heyne, the moving songs on “Electric Intervals” are made of tiny pinpricks of sound.
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Minimalist modern classical that captures the slowly unfolding beauty of post-rock groups like Rachel’s.
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Imprints 1 & 2
by Simeon Walker
These almost heartbreakingly gentle felted piano compositions have the delicacy and loveliness of slow-falling snow.
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Why The Sea Is Salt
by The Gift
supported by 10 fans who also own “Sisyphus [Instrumental]”
Wave after wave of victorious Symphonic Prog. This album is a treasure awash with strong melodies and poetic lyrics.
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