The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range. Sven B. Schreiber (sbs)
This might be the least folky of the Wobbler releases and I wasn't sure about it at all.
After a few listens however I'm loving the inventiveness and the endless melodies, all driven along by Kristian Hultgren's wonderful percussive bass. PartTimeZombie
Very good prog-rock—the 2nd offering of Phideaux’s grand, conceptual trilogy. It is well produced and has a smooth, enjoyable flow that’s easy on the ears—a very pleasant listen. Highly recommended. Both male and female vocals are done well. Instrumentation is creative and interesting. 8.5+/10. Alrihkh
A work of beautiful, pointillist guitar from Martyn Heyne, the moving songs on “Electric Intervals” are made of tiny pinpricks of sound. Bandcamp New & Notable Nov 11, 2017
These almost heartbreakingly gentle felted piano compositions have the delicacy and loveliness of slow-falling snow. Bandcamp New & Notable Apr 30, 2023
Fell in love with BBT recently, absolutely love the stories they tell and the music.
Very sad to hear about David’s passing, listening now is quite moving, moved to tears from time to time, but we move on as I hope BBT will with David in our hearts. tonyauroristony58